Luca Veste has done it again and created a monster of a standalone novel.
When children chant the rhyme:
The Bone Keeper’s coming,
The Bone Keeper’s real.
He doesn’t stop,
He doesn’t feel.
He’ll snatch you up
And make you weep.
He’ll slice your flesh,
Your bones he’ll keep....
You just know that things aren’t going to go well and it’s probably best to hide under the covers and stay there until you’re all grown-up. On the other hand, it’s probably best to stay under those covers, when you are all grown-up, keep the light on and most certainly stay out of the woods....
(Click on the cover to buy)
As a child, Detective Constable Louise Henderson was caught up in the local myth of the Bone Keeper-bogeyman when four children went into the woods but only one came out.
Twenty years later, when an horrifically injured woman is found wandering the streets of Liverpool, claiming to have fled the Bone Keeper, Louise has to face the possibility that the myth may actually be a flesh and blood man – especially when bodies start to be unearthed in the woods. Can she convince her colleagues that the Bone Keeper is real and is he watching every move that the police make?
With plenty of twists and turns, this dark psychological thriller will keep you holding your breath, and looking over your shoulder, right until the surprising climax – and beyond.
Luca Veste, who is a writer of Italian and Scouse heritage, has written yet another gripping novel which makes you thankful that he puts his mind to writing – otherwise no one in Liverpool would be safe!
Luca studied psychology and criminology and manages to crawl into the crevices of warped brains which adds a validity, and far too scary realism, to his characters.
I have read all of Luca’s novels, to date, and always look forward to the next.
As with all of Luca’s books, I can highly recommend, the very creepy, The Bone Keeper.
If you go down to the woods today – you could be in for a horrible surprise....
When I read the blurb, for The Lost Girl by Carol Drinkwater, I must have only read the first half because, when I started it, I was thinking, “What am I reading?” The hook-line on the top of the cover is ‘A missing daughter. A desperate mother. A night that changes everything...’ I suppose I was expecting a murder mystery or psychological thriller, or something along those lines, but what I got was something totally different and it turned out to be a lovely and engrossing read albeit one which was also capable of considerably racking up the nail-biting tension.
(Click on the image to buy)
The story starts in Post World War II, 1947, Paris whereas I was expecting a contemporary setting for the mystery of The Lost Girl.
It turns out that this could be a tale of a few Lost Girls: single mothers, a career-hungry young actress, a mother frantically searching for her daughter, who went missing 4 years ago and the daughter herself.
The novel comprises of the two life stories of two strangers who find themselves brought together on the night of the terrible terrorist attacks, in Paris, in 2015.
Cleverly told in a combination of both contemporary 2015 and flashback sequences, it builds up the back stories of these two women who are brought together by chance but who have far more in common then they at first imagine.
English, War Photographer, Kurtiz, is in Paris, following up a possible link to her missing daughter and Marguerite, an elderly, but still glamorous actress who is a resident of Paris, find themselves sitting next to each other in a bar and a somewhat stilted conversation ensues.
With Kurtiz far too distracted by the thought of possibly finding her missing daughter and Marguerite leaving the bar early, if not for an horrific event, on Marguerite’s doorstep, just as Kurtiz was passing, their paths may never have crossed again. However, with their tentative connection, the two women find that the horrific events pull them together in solidarity and Kurtiz is rather begrudgingly, forced to accept the other woman’s kindness and help.
I got totally drawn into the back stories of both women and, after a bit of a slow start (only due to my misapprehension) I ended up not being able to put it down.
The Lost Girl is a captivating novel which encompasses many different micro-worlds. From the horrors of World War II, and the effects that they had on the individuals directly involved and the knock on effects for those left behind, to the present harsh realities of war, captured by Kurtiz behind the lens and the ongoing war imposed by terrorists. The Movie-world of the past with the glamour and themes that would now be hash-tagged #MeToo and the present day highs and lows of the Acting world. From Kent and London to Paris and the glorious sun-filled fields of Provence. This web of tangled threads comes neatly together in a most satisfactory conclusion – at least for some, if not all....
Actress Carol Drinkwater, became a household name when she played Helen, the wife of Vet, James Herriot in the well-loved BBC TV series, All Creatures Great and Small.
When, along with her French husband, Michel, Carol bought, what turned out to be an Olive Farm, in France, she wrote a series of books, recounting their trials and tribulations. I read these, one after the other, when they were first published and really enjoyed them so, when I saw this novel by Carol I was intrigued enough to read it. I’m really pleased that I did as I now know that Carol Drinkwater writes fiction as well as she does fact.
Not at all what I expected, when I picked up this book but, The Lost Girl kept this girl lost in the disparate worlds of both Kurtiz and Marguerite – two women from two different eras who both lived full and interesting lives, expertly written by Carol Drinkwater. An excellent and delightful read, which I can highly recommend.
What does a rather spooky, crumbling pile, of a once stately house, in the back end of the Cornish nowhere have to do with: a family that used to spend their summers there, a Tory MP, a scandal, an Hollywood Actor, Alzheimer’s, a love story from the 17th Century and a Metaphysical Poet? They are all strands, that cleverly come together in the brilliant new novel by Liz Fenwick, "One Cornish Summer". I can highly recommend this as both an interesting yet easy read – one that I didn’t want to put down but was really sad to have finished. As they say, you can’t choose your family....but you can choose your books!
I started reading novels by Liz Fenwick as 1. I used to be her neighbour and 2. I absolutely love the area of which she writes. Those reasons are still there but now I read Liz’s books as she has, book by book, steadily grown to be one of my favourite Authors and I really look forward to each new publication.
Therefore, I greedily grabbed an advance copy of One Cornish Summer and said goodbye to a couple of early nights and my weekend. If I hadn’t have had other things to do I think I would have picked it up and not moved until I turned the last page.
Although Liz’s books are marketed toward the Romantic end of the Fiction spectrum, they have grown into so much more than that and I love the more literary aspects. You can certainly tell when an Author enjoys their research and has a genuine interest in their subject. Where Liz and I most definitely meet is our love of Cornwall, specifically The Lizard. The history that has created the land and echoed through the crumbling buildings. How the past impacts the present and what has changed and what has stayed exactly the same. How people lived and how they live now.
In a way this is a massive book with lots of themes that are cleverly woven together to create a story that can be read on many levels and depths. There are many relationships. Some past, some present, some healthy, some toxic but never mushy or laboured.
One Cornish Summer is a story of generations – ones that have to put their ‘history’ behind them, to support Hebe, who is suffering the effects of early-onset Alzheimer’s. If you want to understand what a relative of yours is going through, read this book. It may give you an insight, and understanding, that you didn’t previously have.
An Academic and Historian, Hebe has an hidden Love, one that is tethered by a shared love of the poetry of John Donne. Donne is quoted extensively, throughout this novel, but with a sensitive, light touch and only where appropriate.
Love, in all its forms, is a constant, multi-layered theme which runs throughout this story. From Thomas Grylls and his unavailable love, Lucia, in the 1600s, whom Hebe has made her life’s research, to the present day with 28 year old Lucy, whose love life is somewhat erratic and complicated. In part, influenced by a shocking incident in her past at Helwyn House, which she thinks of as Hell House, for many reasons. Not the least as it is practically falling down.
Horrified, when Hebe buys Hell House, which used to belong to Thomas Grylls, for an extortionate sum, Lucy, running away from her present, has to face the ghosts of her past – both real and imagined.
This is a story of fractures. Hebe’s now fractured brain and her all-consuming one love which she breaks for the best of reasons, a family fractured by several events in the past, an historical story that doesn’t quite have all the pieces and a cracked and crumbling, once majestic house by the side of a beautiful, if remote, creek, that flows into the sea.
As Helwyn House is gradually restored, can the family find their own more solid foundation for the future and will the house give up some of its secrets?
One Cornish Summer is a beautifully written book, located in a beautiful part of Cornwall. If you wanted to you could actually stay in The Ducks House, at Sailaway, St. Anthony, where Hebe and Lucy stay until they move into Helwyn House, or The Farmhouse where a Hollywood actor has set up camp, after being thwarted by Hebe buying the property that he also wanted, for his own reasons...
The beach at St. Anthony was where my little Cornish puppy, Mabel, had her first taste of sand and sea, carefully looked after by her big sisters, and I enjoyed many walks along the creek and on the beach.
"Beach At St. Anthony" Painting by Tracey Edges
You don’t need to have experienced the area for yourself though as Liz Fenwick paints a true idyllic picture, which always invokes the landscape, the seasons and the people, perfectly.
If you do go for a visit, you can always pop into The New Inn at Manaccan, The Shipwrights at Helford or The Helford River Sailing Club. Helwyn House is based on the National Trust property, Godolphin House, nr. Helston, albeit somewhat relocated.
Forget Du Maurier Country – the south bank of The Helford River is now, most definitely, Fenwick Country. Book a tour!
Find out all about Liz Fenwick at: www.lizfenwick.com or follow her on Twitter: @liz_fenwick and www.facebook.com/liz.fenwick.author
As well as good bookshops, Liz’s books can be found on your local Amazon.
One Cornish Summer, by Liz Fenwick is published, by Orion, on March 8th 2018.
What Tracey Did Next...Posted by WTDN Fri, December 01, 2017 21:34:07 Yes, this is me and, on the wonderful blog by Author, Jane Lythell, I am the Woman of the Hour. Rather an honour (thank you, Jane). If you would like to find out a bit more about me and which questions Jane asked me, just click on my ugly mug, below!
Tracey Edges (me!)
I think that I first connected with Jane via Twitter. At the time Jane was using the name Chloe Greene to provide some anonymity to her blog writing. Jane explains the reasons, in full, on her blog.
Jane has had a very interesting career, working in television (for TV-AM) and then as the first female chief executive of the British Academy of Film and Television Arts (BAFTA). Jane also headed up the Radio & TV Unit at the Foreign Office. She is now a full time Author. From thoroughly enjoying Jane's blog posts from the instalment-story, set in the 1980's; The Chronicles of Chloe Greene, to her numerous travel posts, I have since read all of her 4 published novels. The first two, The Lie Of You and After The Storm are slow-burn, psychological thrillers and the second two, The Woman of the Hour and Behind Her Back are set in the heady world of television - a world that Jane knows all too well - for good or for bad!
You can find Jane's blog by clicking on Jane herself (below) and my interview by clicking on me (above).
Jane Lythell (Author)
Jane Lythell's books (all well worth a read) can be found by clicking HERE (If out of the UK search your local Amazon)
My review of Behind Her Back by Jane Lythell can be found HERE(you may have to scroll down a few posts!)
What Tracey Did Next...Posted by WTDN Sun, November 26, 2017 20:15:27 I have collected quite a few stamps but have been a bit nervous using them. If you don't get it spot on, on the first press, by hand, it is difficult to go back over it exactly. Further attempts just tend to result in a big mess.
I've wanted a stamping platform for ages and decided to go for the Tim Holtz Stamping Platform from Tonic. The best price that I found, at the time, was from Amazon: £26.14 inc. p&p. It took 4 days to be delivered, which was quicker than estimated.
Anyway, I set to, to make some Christmas cards using some polymer stamps from one of my favourite crafty suppliers, Craftwork Cards
This was my very first attempt to use a stamping platform and it is so easy. You just line up your paper or card by pushing it into the corner, or using the ruler guides, and hold it firmly in place with the two supplied magnets. You then place your chosen stamps, face down, on the card and make sure that you are happy with the positioning. Carefully close the lid and give it a little press down. When you lift the lid the stamps will be stuck to it and you can ink them up. Close the lid, press down, using your fingers, all over the stamps and, when you lift your lid you should have a perfectly stamped image. If you have under-inked, or under-pressed, leaving gaps in the print, just re-ink, close and press down again, until you are happy with the print. Unlike just doing it by hand using a stamp block, the stamp will go down in precisely the same position and this is the beauty of using a stamping platform.
I, first of all, used an older stamp - an outline of a Christmas tree, along with a sentiment, which I curved to make it more pleasing to the composition. I used black Archival ink and was really pleased with the results.
The tree has spaces (circles) for Carftwork Cards 'Candi' - little circles of card which you can use instead of brads, by sticking down with tiny foam pads - Candi-Fix. I then added sparkly red gems to the smaller circles. Both jobs were time consuming and fiddly but worth it for the end result.
I used some tiny stamps on the envelopes. As they were well spaced I could ink up with both the red and green inks at the same time. The stamping platform makes it really easy, and an awful lot quicker, to batch make as you only have to position the stamps the one time.
Once I had all the bits in place, I glued a 'Handmade by WTDN' label on the back and used Glossy Accents on all the Candi to made them look like shiny enamel.
Once dried (overnight) they are done and ready for the craft fair.
“Behind Her Back” is the fourth novel that I
have read by Jane Lythell and there is something that always grips me and makes
them hard to put down.
Jane’s style of writing, whether with her
psychological thrillers or the, more recent, StoryWorld series, is to let the narrative gently unfold but, for
both the story and the characters, like a swan that glides calmly and serenely
along the surface of the water, underneath is a different story with complex
layers, tricky currents and lots of mad paddling.
This analogy perfectly sums up the lead
character of TV’s StoryWorld, Features Producer and single mum to a teenage
girl, Liz Lyon. In a world that breeds drama queens and backstabbing galore,
Liz cannot let her true emotions rise to the surface as she has to walk the
tightrope between all those above, below and around her.
When Lori Kerwell joins the sales team and
power-suits her way right to the top ears, Liz starts to feel that the
tightrope that she is already struggling to find balance on, is now feeling
like it is swaying over the Grand Canyon in a Force 9.
Can Liz keep her balance, while all around are
falling or does Lori manage to get in the final, sneaky push that will topple
Liz, once and for all?
Jane Lythell, single mum and TV producer for 15
years, herself, has plenty of experience to draw upon which explains the highly
believable treatment of both the domestic and the work scenarios. Throw in a
budding new relationship, that could be trouble, a daughter you need to walk on
eggshells around, an ex-husband that always says yes to his daughter (easy for
him as he doesn’t have to live with the fall out), as well as a cowboy builder,
and Liz finds herself trying to juggle many balls, which Jane portrays
The initial premise was specifically to portray
what life was like at work for a single mum, with all the extra sole
responsibilities. Having to keep a job, when you are the only one to pay the
bills, keeps you restrained. You can’t just walk away when the going gets
nasty, you have to make work work or you are in a whole lot of trouble. The problem magnifies when work itself becomes
trouble and, in this case, Liz needs eyes in the back of her head to see what
is happening, “Behind Her Back”.
An excellent read about the goings on behind the
scenes of a television programme, one which has all the ingredients to make an
excellent TV series, itself. One where the silences would speak volumes and the
looks, evil or pleading, tell it all.
The first book in the StoryWorld series, “Woman
Of The Hour”, set a good foundation for this second outing, which builds on the
now familiar characters – both lovely and not so. I thoroughly enjoyed reading “Behind Her Back”
by Jane Lythell, published by Head of Zeus, and can’t wait for the next in the
I have read Jane’s words since the days of her
blog and always find the idea of a new novel, by this author, rather delicious.
You can find Jane Lythell on Facebook: Jane
Lythell Books and on Twitter: @janelythell Just to confuse the issue, Jane used
to write under a pseudonym, Chloe Greene and you can find her very interesting
blog at: chroniclesofchloegreene.blogspot.co.uk
A light-hearted, romantic comedy, The Hygge Holiday by Rosie Blake, is
based in the seasonal run up to Christmas.
I chose a light-hearted read as during
this time, I think that everyone is pretty much running about in circles but,
as well as being a feel-good, easy read, this book also touches on the themes
of community, social and personal change, new and old friendships, priorities,
trust, luuuurve and how the simple things in life can mean far more than the
The by-line for this title is “Can Clara teach a little
village the art of happiness? However, it seems that Danish wanderer, Clara
Kristensen, has her work cut out when she ends up in Yulethorpe, a small,
pretty, Suffolk village which has been badly hit by the double whammy of
supermarkets and internet shopping. The High Street has more closed-for-good
shutters than shops left open for business and it looks like the Toy Shop is
about to go the same way.
Clara is staying at the local and comfortable, if somewhat
aesthetically-unloved, pub, run by kindly but secretive, landlord, Gavin.
On her first evening, Clara is quietly reading her book in the bar, when a
colourful lady bursts in and dramatically orders a double gin and tonic (but
hold the tonic) and announces to Gavin that she is done – she is shutting her shop – and she is off. When she gets back to her flat, she is booking a flight
Louisa, had been in the shower when she made the radical decision, realised
that she was out of sustaining liquor and with hair still wet, purple wellies
on and wearing her hot-pink pyjamas under her turquoise coat, headed to tell
her special friend, Gavin, of her decision, regardless.
Roz, owner of the still open Village Store and Post Office, and not a fan of
the dramatic Louisa, they have history, was working her way through a bottle of
red and muttering “Drama, Drama” through her narrow lips and rolling her eyes,
not believing that Louisa would close her shop and take off.
Louisa rose to the sceptical challenge, and did fly off to Spain, but not
before she accepted the offer, from Clara, to housesit, her somewhat chaotic
flat, complete with lethargic cat and a loud, potty-mouthed bird, Lady Ca-Ca.
Lady Ca-Ca likes to quote from films, often in an embarrassingly appropriate,
or inappropriate, manner.
In return, for the free accommodation, Clara offers to run the shop while
Louisa is away.
On the run up to Christmas a Toy Shop should be full of happy smiling children
and Clara sets out to bring the shop back to life.
Nothing is ever as straightforward as one would like and Clara faces challenges
from Roz, who has her own agenda, and Louisa’s high-flying, glued-to-his-phone,
stressed out and over-worked, over ambitious, son, Joe, who is something big in
The City. Joe doesn’t trust Clara’s intentions as how can anyone possibly be so
Does Clara, win around any of the villagers and does she succeed to bring the
Toy Shop back to life? On top of all that, can she bring her Danish love of
Hygge to those around her? With new good friends, naps, candles, blankets and
steaming mugs of hot chocolate, and definitely no mobile phones, she sets out to
do just that.
Of course, not everyone is as they appear, secrets abound and Clara and Gavin,
both have their own, that they want to keep hidden. However, secrets inevitably
come out and how they are dealt with can determine the future, for all.
A Hygge Holiday is an heart-warming, funny book, bursting with believable
characters and perfect for this time of the year. So pull on your woolly socks,
get the fire roaring, light candles, make a mug of cocoa, grab a blanket,
ignore the dark nights and rainy weather, cosy down into your favourite
armchair and let Rosie Blake entertain you with her delightful tale of the
goings-on in the pretty village of Yulethorpe.
I used to own a shop in a pretty village and I’m all for the Scandinavian
ideals of Hygge and Lagom, so this book
just hit the spot for me and I thoroughly enjoyed this light, cosy read.
With a background in writing features for magazines, Rosie
Blake published her first rom-com, How To Get A (Love) Life, in 2014 and A
Hygge Holiday is her 4th novel.
You can find out all about Rosie at: www.rosieblake.co.uk
and she is on www.facebook.com/RosieBlakeBooks
and Twitter: @RosieBBooks
You can buy The Hygge Holiday by Rosie Blake: HERE
If you don’t know what Hygge is, it’s a Scandinavian term for creating a soft
and cosy ambience, relaxing and enjoying being in the moment. The weather may
be foul outside but if you are all cosy, chilled out and enjoying good, calm
company or a good book, such as The Hygge Holiday by Rosie Blake, then that’s a
If you still don’t know what
Hygge is, here’s Rosie to tell you all about it:
How would you feel if you were ‘lucky’ enough to get a great
offer accepted on your dream home? You’d be really excited, wouldn’t you, and
be planning the schedule of works and be surrounding yourself with paint charts
and enthusiasm - but what if you gradually began to realise that things aren’t
all that they seem to be? The Sunday Girl Book of the Week is, The Upstairs
Room by Kate Murray-Browne and it’s a little bit creepy...
It was there from the beginning, the day they first saw the house . . .
Eleanor, Richard and their two young daughters recently stretched themselves to
the limit to buy their dream home, a four-bedroom Victorian townhouse in East
London. But the cracks are already starting to show. Eleanor is unnerved by the
eerie atmosphere in the house and becomes convinced it is making her ill.
Whilst Richard remains preoccupied with Zoe, their mercurial
twenty-seven-year-old lodger, Eleanor becomes determined to unravel the mystery
of the previous owners – including Emily, whose name is written hundreds of
times on the walls of the upstairs room.
I enjoyed this book – all the characters were believable and you could
empathise with them all – although Richard, obsessed with his vision of how
their home is going to be, when all is finished, doesn’t want to acknowledge
that his dream could crumble and he keeps his blinkers firmly on, while Eleanor
commences an increasingly desperate battle.
Zoe the lodger, has a complex life, away from the house and this gives the
story another dimension – a story within a story.
What do you do when no one really wants to believe you? Who is, or was, Emily
and what does she want?
The suspense builds nicely as this family start to fight the house, and each
other. It is well paced and you don’t know what is going to happen – the events
could go in any direction.
I’m really pleased that I wasn’t reading this in my old house – which happened
to be a big, five-bedroomed, Victorian Townhouse, which had one, upstairs, room
which always made me feel uneasy. The temperature was considerably lower than
the rest of the house and when my mother stayed, she said that she felt that
something was there, not necessarily unfriendly, but definitely something there
– and she’s not one to remotely think about things like that. She said that on
two separate occasions something touched her on the shoulder – EEK! She
actually didn’t tell me until I’d moved, so it didn’t freak me out. Too late it
already did. This room was fine in the daytime but at night I used to hate
going to the bathroom, which was on the same back part of the landing, as that
room. It just gave me a really disturbing feeling.
Do da do da dooooooo
Anyway back to The Upstairs Room. If you want something a bit on the different
side, a mystery and spine-chilling thriller which is an easy, flowing read, and
you don’t live in a spooky Victorian Townhouse, I can recommend it.
Author of The Upstairs Room, Kate Murray-Browne was born in
London, where she still lives. She worked in publishing for 10 years before
becoming a Freelance Editor. Kate is also an exhibiting visual artist.
The Upstairs Room by Kate Murray-Browne, is published by Picador on the 27th
of July 2017. So, jot it down, bookmark it,
or even order it and prepare to be unsettled!